After the triumph ofDC’sThe Penguin, I am convinced that the franchise’s most risky films are ideal forthe DCU’s future. In 2024, DC took a bold leap by focusing on a character outside the usual spotlight: The Penguin. This release not only proved to be a resounding success but also demonstrated the potential for riskier, villain-centric projects. With the DCU teasing upcoming films centered on Bane, Deathstroke, and Clayface,The Penguin’s success may very well serve as a blueprint for the future of the franchise.

The Penguindepicted the eponymous villain’s rise to power in Gotham’s criminal underbelly. It starredColin Farrel as the villainous Penguin, reprising his role from Matt Reeves’The Batman.The success ofThe Penguinhas opened the door for other underexplored villains to take the stage. This shift marks a significant evolution in DC’s strategy, moving beyond Batman-centric narratives to focus on the dark and compelling stories of Gotham’s criminal underworld.

Oz Cobb kills Victor Aguilar next to Carmine Falcone and Sofia Gigante in The Penguin

The Penguin Was A Real Risk That Paid Off Massively For DC

When DC announced a series entirely dedicated to the Penguin, it was met with a mix of intrigue and skepticism. While Gotham City’s crime boss has always been a memorable villain, he’srarely been a leading figure. Even the television seriesGotham, which gave substantial screen time to the character’s origin story, didn’t solely focus on him.

1 Subtle Detail Makes The Penguin’s Ending Even Darker Than You Already Thought It Was

The Penguin finale hid a tiny detail that shows how Oz Cobb’s last crime transformed him into The Batman universe’s next Hangman figure.

However,The Penguinproved that a villain-focused narrative could be just as engaging - if not more so - than stories centered on the hero. The show delves into Oz Cobb’s rise to power, exploring his cunning, ambition, and humanity. This nuanced portrayalresonated with audiences and critics alike, showing that a character often relegated to a supporting role could carry an entire series. The success ofThe Penguinhighlights the untapped potential within Batman’s extensive roster of villains.

Oz Cobb blackmailing a politician in The Penguin

Moreover, the show’s ability to stand on its own without relying heavily on Batman underscores its unique appeal. By focusing on the dynamics of Gotham’s criminal ecosystem,The Penguincarved out a niche that feels fresh anddistinct from other DC projects. This gamble not only paid off but also set a precedent for future villain-centric ventures.

The Penguin Proved A Project Starring A Less Focused-On Batman Villain Can Really Work

The overwhelming success ofThe Penguinbodes well for upcoming projects centered on other less-explored villains. Among the most intriguing are the proposed films about Clayface and a potential joint project featuring Bane and Deathstroke. These characters havehistorically been relegated to secondary roles in larger narratives, butThe Penguin’s success proves that they too could shine as leads.

The Penguin and The Batman are released as part of the DCU: Elseworlds and are not considered part of the main DCU timeline.

Robert Pattinson as Batman in The Batman with Scarecrow from Batman Begins

Clayface, a shapeshifting antagonist with a tragic backstory, and Bane and Deathstroke, known for their physical and tactical prowess, are all villains with the depth to sustain their own stories. By exploring the Penguin’s journey, DC has shown thataudiences are eager to explore the complexities of Gotham’s villainsbeyond their confrontations with Batman. This newfound confidence in villain-centric storytelling could redefine how the DCU approaches its future projects.

The Batman’s Opening Scenes Mean I Need Scarecrow To Appear In The Batman 2 Or 3

I’m convinced that the Scarecrow would be the perfect villain for The Batman Part 2 or 3, particularly after the huge Easter egg in The Penguin.

Importantly, this approach allows for more diverse storytelling. Gotham’s villains often represent different facets of human struggle, from addiction and loss to power and corruption. Projects likeThe Penguintap into these themes,creating compelling narratives that resonate with viewers. With Clayface, Bane, and Deathstroke, DC has the opportunity to explore these rich thematic elements further, making the franchise more versatile and engaging.

Tom Hardy as Bane and Joe Manganiello as Deathstroke

Why The Bane & Deathstroke Film Looks Way More Promising After The Penguin

While theBane and Deathstroke filmhas yet to receive official confirmation, the concept has immense potential. Both characters are formidable foes of Batman, but they also have unique qualities that set them apart from traditional villains. Bane, often remembered for his brute strength and strategic brilliance, is a character witha rich history of struggle and redemption. Meanwhile, Deathstroke’s morally ambiguous nature and complex motivations make him one of DC’s most intriguing antiheroes.

The success ofThe Penguinprovides a roadmap for how to approach these characters. By focusing on their personal struggles and the environments that shaped them, DC could craft compelling narratives that stand on their own. A film exploring Bane’s origins in Santa Prisca or Deathstroke’s morally complex missions would not only deepen these characters but alsoexpand the DCU’s storytelling possibilities. After seeing whatThe Penguinachieved, it’s easier than ever to imagine a Bane and Deathstroke movie as a standout success.

Clayface in Feat of Clay Batman: The Animated Series

Furthermore, pairing Bane and Deathstroke in a single narrative could amplify their appeal. Bothcharacters share a reputation for being criminal masterminds, making their interactions potentially electrifying. A film that pits them against each other or aligns them as reluctant allies could add layers of complexity, creating a dynamic and engaging story. The success of villain-centric projects likeThe Penguinproves that audiences are ready for such bold storytelling.

Why I’m Even More Excited For The Clayface Movie

TheClayfacemovie has been officially confirmedand is helmed by Mike Flanagan. Known for his work on critically acclaimed horror films and series such asDoctor SleepandThe Haunting of Hill House, Flanagan’s involvementpromises a fresh and imaginative take on the character. Clayface’s shapeshifting abilities and tragic backstory offer a treasure trove of narrative possibilities, blending elements of horror, drama, and even dark humor.

IfThe Penguinserves as any indication, the DCU’s focus on character-driven stories about its villains is a winning formula. With the right director, Clayface’s story could surpass even the success ofThe Penguin. The character’sunique powers and emotional depth lend themselves to a visually stunning and narratively rich filmthat could further elevate the DCU’s reputation for innovative storytelling.

The Penguin

Additionally, Clayface’s narrative opens the door to exploring themes of identity, loss, and the human condition inways rarely seen in superhero films. His tragic descent from a hopeful actor to a monstrous figure presents a deeply emotional arc that could resonate with audiences. The creative possibilities for visual effects and practical makeup add another layer of excitement, promising a film that is as visually captivating as it is narratively compelling.

Indeed, these made Clayface one of themost compelling and sympathetic villains in numerousBatmanmedia, notablyBatman: The Animated Series.The Penguinhas not only revitalized interest in Gotham’s lesser-known villains but also set the stage for a bold new era of DC filmmaking. By embracing risk and focusing on the untold stories of its rogues, the franchise is carving out a unique identity that could define its future.

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The Penguin

Cast

Created by Lauren LeFranc, The Penguin is a crime-drama spin-off television series of 2022’s film The Batman. Set shortly after the events of The Batman, Oz Cobb, A.K.A. the Penguin, begins his rise in the underworld of Gotham City as he contends with the daughter of his late boss, Carmine Falcone, for control of the crime family’s empire.

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